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13, 14 and August 15-V x National Theatre Shows Identity in Paraná Read and write

V National Exhibition Identity Theater x

In Paraná 13 to August 15 2010

From Friday 13 to Sunday August 15 will be held the V National Theater Shows x Identity. Works involved Paraná, Rosario and Buenos Aires, to be presented at the Teatro Municipal 3 de Febrero, in the Cultural and Convention Center La Vieja Usina and House of Culture .

The opening ceremony will be held on Friday from 13 to 20 pm. at the Teatro Municipal 3 de Febrero. This year we will with the presence of Abel Madariaga, Secretary of the Association Grandmothers of Plaza de Mayo and Francisco Madariaga Quintela, son of Abel, last young companion returned and Tati Almeida, a member of Mothers of Plaza de Mayo Founding Line.

INPUT will be free.

For the fifth consecutive year will be held this year's Theatre x Identity with the participation of troupes from different cities with the aim of collaborating in the search for the nearly 400 young people who do not know its true identity.

Throughout the development of Sample to 27 August, will present the graphical display roving Approaching the bicentennial ... They want to tell " by Mothers of Plaza de Mayo - Founding Line and that toured the country under the Human Rights Program of the Secretariat Culture Office.

Theatre in 2010 x Identity is 10 years old. In this long road we have tried to build ties with our past to create a future based on two fundamental premises: truth and justice. Theatre

x Identity is a space that encourages reflection on the elements of identity and its relation to our history as a people, which are intertwined in a collective project. Theatre

x Identity is an essential function: to act not to forget, act to show the situation of human beings 400 still wander among us without knowing his true identity .

civic During the last military dictatorship carried out a systematic plan of appropriation of minors. This plan required the operation of Maternity Clandestine generally operated in military hospitals, which consisted in the removal of children born in captivity and the replacement of their identity.

In this sense, it is important to note the progress made in Because investigating the operation of Clandestine Motherhood in the Military Hospital in the city of Paraná with the return of the identity of Sabrina, daughter of Rachel Black and Tulio Valenzuela, born in captivity in the hospital during the dictatorship 1978. And in this case the Federal Court of Appeals Paraná city confirmed by the prosecution and detention of five members of the Intelligence Service of the Armed Forces who are housed in the Criminal Marcos Paz and Juan Antonio Zaccaria anesthesiologist to house arrest in the city of Paraná.

identity x Theatre will continue on the tables to find the last of the young and you can be part.

Organizers: Children for Identity and Justice against Oblivion and Silence-CHILDREN-Regional Paraná, Teatro x Identity, Grandmothers Plaza de Mayo, the National Theater Institute, Assistant Secretary of Education and Human Rights Municipality of Paraná, House Culture and the National Register of Truth Government of the Province of Entre Ríos .

Support: Mothers of Plaza de Mayo Founding Line , Cultural and Convention Center La Vieja Usina, Teatro Municipal 3 de Febrero, Inadi Delegation Entre Rios and Culture Secretary the Nation.

"you know who you are?"

Contacts:

Record Unique Truth Tel: 423 4310

City Human Rights Department of Paraná Tel: 420 1821

National Theater Institute: TEL.: 422279 e-mail: entrerios@inteatro.gov.ar

Programming :

Friday August 13

20:00 . Theatre February 3 (June 25, 1960)

Opening.

Morning, Night and Sunrise new

Group: Municipal School of Circus "Larissa" (Paraná)

Cast: students the Municipal School Circus "Larissa"

show Coordination: José María Pacayut, Maria Elena Vazquez, Leandro Izaguirre and Bogado Juanqui

Synopsis: an unspecified location in the city is a group of enthusiastic young people working on different games. Until the site is about a dwarf decadent attempt to impose new rules. The story is told from different circus disciplines, such as: floor and aerial acrobatics (fabric and lyre), juggling, unicycles, and stilts swing.

21:00. Cultural and Convention Center La Vieja Usina (Gregoria Matorras 861)

And it's time you ...

From: Veronica Streiger ( Paraná)

Cast: Veron and Silvina Gabriela Fontelles

scenic Making: Silvina Fontelles and Daniel Doval

Making Costumes: Andrea Fontelles

Lighting Design: Gabriela Trevisani

Photo: Daniel Doval

Stylist and Hair: Marcelo Garcia Névez

Makeup: Gabriela Esper

Production Assistant: Patricia Fontelles

Address: Valeria Folini

Synopsis: This work speaks to one of the historical events cited in the recent past in Argentina drama, either implicitly or explicitly. And it does work the complexity of this event from a detail. Desire the dead to have a tomb. In its simplicity appears
a universe of meanings that are updated in the conflict: this is not something that happened over thirty years, this is something that happens today.

Saturday August 14

18:00. Cultural and Convention Center La Vieja Usina (Gregoria Matorras 861)

Opening shows "Approaching the bicentennial ... They want to tell" and Chat-Debate on Identity:

Participants:

Abel Madariaga , Secretary of the Association of Grandmothers of Plaza de Mayo

Francisco Madariaga Quintela, son of Abel, Nieto returned last

Tati Almeida, Madre de Plaza de Mayo Founding Line

Alejandra Blanco, Chief of Staff of the Ministry of Culture Nation

About the show:

"Approaching the bicentennial ... They want to tell" travels the country under the Human Rights Program Secretariat of Culture of the Nation . The banners made by Madres de Plaza de Mayo - Founding Line tell the story of the 30,000 prisoners disappeared from their daily lives: how they dressed, the poems they read, the letters they wrote to their mothers of boys, communion photos, friends, siblings, parents.

The exhibition will remain until Friday, August 27 and can be visited on Tuesdays, Wednesdays and Thursdays from 9:00 to 11:00 pm. and 15:00 to 17:00.

About the talk:

This activity aims to share with his reunion Abel and Francisco. "It's the first grandchild of the Bicentennial." With this phrase full of meaning, Estela de Carlotto announced the return of the identity of Francisco Madariaga, son of Abel Madariaga, Secretary of the Grandmothers of Plaza de Mayo. Abel was born in Paraná and lived on Calle Urquiza 360, but early went to Olivet, and then Federal Capital.

21:00. Cultural and Convention Center La Vieja Usina (Gregoria Matorras 861)

Instructions for a butterfly collector

Group: Theatre Cycle x Identity (Buenos Aires)

From: Mariana Eva Pérez

Cast: Larisa Rivarola

dramaturgical advice: Patricia Zangaro

Object Design: Alberto Negrin

Address: Larisa Mariana Rivarola and Eva Perez, on an original set of Leonor Manso

Synopsis: A young daughter missing, locate the brother who sought throughout his life. But that meeting is not the happy ending of the play, but the beginning. Instructions a collector of butterflies is the monologue Mary. The last letter written many absent brother, that of the bounce, while the welcome to the real brother.

22:00. House Culture (Carbó 194)

Identity and Resistance (Installation and Stories)

Actors: Patricia Piro, Maria de los Angeles Banno, María Verónica Uzin, Juan and Luis Garay Villamée

Coordination and Direction: Amelia Uzin

Installation by: Florencia Albornoz, Lorena Rios Leticia Ledesma and

Guests: Printmaking Chair Ms. of Visual Arts (UADER), Andrew Lewis and William Hennekens

Synopsis: Stories played by actors and installation by artists. A space designed to meet and reflect on the theme of identity and experiences of resistance of political prisoners in the jail during the dictatorship.

room with limited capacity.

Also in the House also will be exposed photographic exhibition of Peter Bootz

Sunday 15 August

20 hours. Cultural and Convention Center La Vieja Usina (Gregoria Matorras 861)

That girl ... (what happened to him?)

Group: Cycle Theater for Identity (Rosario)

From: Juan Pablo Giordano

Cast: Lucia Grosso , Timothy Kwist, Olivia Reinhartt and Germain Geminal

Address: Juan Pablo Giordano

Synopsis: The crisis of the protagonist, who is torn between two identities is perhaps a metaphor for a schizophrenic country. Juan / Sebastian is a character who does not deny its origin, but also to the appropriate questions for fear of losing their economic welfare, which ends up being totally chaotic and cruel to those around him, especially his "two girlfriends," which learn they share the same boyfriend for at least a year. The discussions will Silvina and Laura will see that it could be the discussions that took the two mothers, biological and appropriate, if they had met.

21:30 hs. Cultural and Convention Center La Vieja Usina (Gregoria Matorras 861)

5438

Group: Co Auca Theatre and Theatre of Bardo (Paraná)

Dramaturgy: Walter and Valeria Arosteguy Folini

Cast: Walter Arosteguy y Gabriela Trevisani

Lighting: Leandro Osorio

scenic Advice: Diego Percik

Costume: Lali Mainardi

Design Graphic: Bruno Botteri

Address: Valeria Folini

Synopsis: One night in 1888, Fred Thompson, an amateur stories police found in his pocket a paper that says: "I beg you to stop by the museum." The lyrics of his friend Daniel was almost a warning. There he meets a mysterious woman, Rita, appalled by what happened: that night in the building, Inakayal the Tehuelche chief, died. Emulating the fictional detectives will discover the details of that death and other deaths in the museum, the fate of the bodies, the lives of people who live and lived in that building, to discover the truth, or truths, or does it lie? that surround this mysterious event.

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[storytelling workshop] soon in the House of Culture

Teacher: Selva Almada
Contents: Characteristics of the genus story. Structure. Types of narrator. Narrative techniques. Theory the story. Theoretical contributions of key writers of the twentieth century. Axes for a critical reading of narrative works.
Writing Lab. Style resources. The point of view. Construction of the character. Slogans triggers for the production of stories. Introduction to the correction procedures.
Frequency: 1 lesson monthly attendance of 2.30 hours online per month 3 classes of 1.30 hours each.
Duration: August to November
Day & Time of class: second Friday of each month from 17 to 19.30 from August to November inclusive.

Fee: $ 80 per month.

Selva Almada was born in Entre Ríos in 1973. He published his first stories in the weekly analysis of the city of Paraná. There he directed between 1997 and 1998, the journal Caelum Blue.

published in 2003 doll-Editorial Mal Carne Argentina, in 2005 Kids' Editorial University of La Plata-, and 2007 provincial girl Editorial Gargoyle. His stories up

anthologies A terrace-Editorial Norma-and-twenty-first century Storytellers Program GCBA-Choice Books, both published in 2006, De Puntin-Editorial Mondadori, 2008 and Evening Bell 2-Editorial Gallarda Pulp, 2010. It also participates in the anthology Poets Argentine 1961-1980, published by Ediciones Del Dock in 2007.

is part of the group that organizes the read cycle Carne Argentina.

Contact: http://unachicadeprovincia.blogspot.com/

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, exhibitions, recitals and meetings

Blueprints For Tanning Salon

Frutos Sample Volume II-IV Pictures

Photo exhibition held in Kosiak Fernando the House in 2009

Computer Printer Extension Outlet

National Theatre Shows Identity x

special activity under the Identity Theatre in August 2009 in the House: Humor as Resistance readings of experiences of political prisoners arrested during last civil-military dictatorship in Argentina.

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Workshop "Reading is fun"

reading workshop for children, trade unions in the House in 2009, by Veronica Fleitas Rossi.

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With a groundbreaking work, restore the Casa de la Cultura Casa de la Cultura

expand and bring in value House of Culture the province. Inversiónde With nearly 6 million pesos, the government expects to complete the work in 365 days. On August 10 bids will be announced. "While it is a longing for many years, was essential Sergio Urribarri governor's decision to finalize the work, "said Undersecretary of Culture, Roberto Romani, adding that it will build an auditorium, Multipurpose Room, stage with dressing rooms and placed ramps and elevators, among other works.

regard, Romani said "the idea has many years but since taking Sergio Urribarri this began to take shape because definitive steps were taken to raise the funds needed to restore this house and make cultural center of transcendence. While dreams dating back many years, was instrumental in the decision Governor to finalize this work, "he said.

Indeed, the work was authorized by Decree No. 1496/10 of the Ministry of Planning, Infrastructure and Services and the Undersecretary of Architecture and Construction ordered it through competitive bidding No. 31/10.

The solicitation is for the provision of materials and labor for the expansion, restoration and enhancement of House of Culture in Paraná. The official budget amounts to 5,715,518.90 pesos and procurement system will be through measurement unit, providing materials, labor and unit prices. The time table for implementation is 365 calendar days. A relevant



"To the Secretariat of Culture the enhancement of this building is a significant event because it provides a point of reference in the cultural life of Parana and the province, and is one of the best ways to celebrate the bicentennial of Homeland , estimated Culture Undersecretary Roberto Romani.

addition, at the discretion of the Minister of Culture of the province is replicated enhancement in tourism, since "in Entre Ríos every tourist who comes takes a picture of the historical sites, because our cities and small towns are loaded with history. "

"If these links in the story we add the footsteps of indigenous peoples and peoples in the footsteps of immigrants, we are able to claim that our province is one of the biggest attractions that are in these respects. Cultural tourism in Entre Rios is very important, "he said finally.

More and better cultural services

For its part, the director of House of Culture , Gabriel Cosoy, said the building dates from 1870 and was built by Bernardo Rigoli, the same architect who designed the of Government House. "The architectural treatment this house was quite irregular. Rarely have been able to make works of magnitude for their care, but at the beginning of his administration, Gov. Sergio Urribarri took the commitment to developing an innovative product that respects the architectural heritage of the house, and build an auditorium that may develop various activities, she said.

Cosoy stressed that "the idea of \u200b\u200b refuncionalización House of Culture is able to provide more and better services" and felt that "this enhancement will impact the community because there is a deficit Paraná notable of space dedicated to the sample artistic activities cultural city. " He referred also to the preservation of architectural heritage in holding that Paraná is one of the few two-storey houses built in the nineteenth century are still standing. With this work, it is possible that future generations know how old entrerrianos lived in this city. "

Finally, the official said "the definitive incorporation of House of Culture the tourist circuit of the city of Paraná because being refurbished as a museum may become a theme on how the houses were in 1870, example. "

Project
important
Moreover, within the Secretariat of Architecture and Construction, the project manager was the architect Ruben Castello, who described the proposal as "one of the most important projects that have the city and the province because it will value a work of great cultural significance and representativeness constructive. "

"The architectural idea of \u200b\u200bthe project completes the work being done on that property and the proposal is a reflection of the needs of property. The project is divided into two operations: one that will include new work, and one that will include the enhancement and restoration historic building. Both statements would be in the 365 days provided for the project, "added the coach.

addition, Castello said the project will work to make the site accessible. In this regard, said that "in the new entry to be made by July 9th Street, shall be provided access ramps to reach the main hall where the elevators are located that allow the movement to the various levels of the building, Part of the new and original. " Details



According to the specification of the project, "the original building has different incomes, and on July 9th Street proposed enlargement of the building. Entry will be made public through a dry place to generate a break between the original building and expansion. Convener will be a space to be completed in a semi-covered atrium entrance to the Hall Auditorium and the same cultural complex. "

It also states that "from the distribution hall facing the connections between the original building and expansion, vertical and horizontal. With this premise, reinforce the idea of \u200b\u200bgenerating an income only opened to the public by July 9th Street, administrative and income for street Carbó. The corner entrance was used by the Craft Center, cohabiting the building activity. "

"On the ground floor there are local features that would house Hall Auditorium for 125 people seated, general deposits and dressing rooms, offices, restrooms and vertical circulation." Meanwhile, in the area of \u200b\u200bthe original house, "there is the demolition of premises on the patio to expand, as these would not be part of the original construction, to recover the original path of the gallery that closes the patio both ground floor and on the top floor "specified in the memory.
addition
"Artisans Center, provides an information office administrative income and in the main courtyard is located a fixed rate scenario to be used as such, in addition to buffet service that arises in the relationship between enlargement and the original sector. "

sector also propose an office in mezzanine between the upper and lower, which would be earmarked for the general administration of the complex. The mezzanine will have health care for both sexes. Finely

, on the second floor administrative offices will be located and a Multipurpose Room for up to 70 people. The top floor of original building was adapted to hold samples or art exhibitions, leaving two spaces as found at the time of the proposal: the last room has the original treatment coating walls and original floor and stair income Carbó street, which would be testimonial in nature, "he said finally .

Source: http://www.entrerios.gov.ar/noticias/nota.php?id=23915/

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: history and role

The building, harmonized in a defined architectural, stands in Paraná from 1887 and originally was the residence and business premises of the Solari family, dominion over the corner of Carbo and July 9 where it is located.
was built by the architect Bernardo Rigoli, born in Switzerland in 1850, who also design Rivadavia Paraná School, Social Club, Central Headquarters Police and Government House of Entre Rios.

This house is one of the buildings that give identity to Paraná, forming part of architectural, historical and cultural city. This heritage property was threatened several times for different reasons and in different circumstances.
So it was that in the early 1980 , a group of people prevented its demolition, and persuaded the government then bought it. Subsequently, another group began with a task that was put in value and function as House Culture of Entre Rios.
In 1998 a group of professionals interested in the cultural authorities to carry out a sample of Architecture and Decoration This prompted the work, is very close, it concluded.

That same year, a group of people are self and formed the Association of Friends of House of Culture . A Sample from Architecture and Decoration have done over the years samples, presentations, poetry performances , musical and theatrical performances, lectures , concerts, courses and workshops , Among others.


Regarding the architectural "style of the house is registered with an eclectic language of" maniera "Italian, two facades of singular beauty and balance manifest formal dynamism of mannerism that achieved with the use skillful windowed with a succession of arches on both floors, interspersed with pilasters to the wall on the ground floor are prismatic with Tuscan capitals while the upper floor are semi-cylindrical with Corinthian capitals of inspiration. Here the height of them decreases resting on a foundation of which generate substantial balconies with rails consist of openwork rosettes, a stylistic device that repeats on the parapet that crowns the building and is widely used by Rigoli in architecture "(From www.patrimonioculturadeentrerios.blogspot.com).

A House of Culture has an important symbolic value as it represents the cultural space of the province of Entre Rios and occupies a strategic place along the route or cultural circuit of the city of Paraná .

The building works as a cultural space where they develop workshops linked to different activities and artistic sectors. The institution open to the public Monday through Friday from 7:00 to 13:00 and afternoon (except Mondays) from 17:00 to 21:00. The weekend is enabled according to the schedule of activities.